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Some paintings are loud with movement and story. Bloom is not one of them. Instead, it whispers, breathes, and quietly expands. At 60 inches wide and 48 inches tall, Bloom is a soft, golden wash of calm yellow—a color choice that immediately sets the tone for what this piece is all about: light, warmth, and stillness. There’s a tranquil, almost Japanese garden aesthetic to it—minimalist, deliberate, and deeply meditative. With every layer, Bloom invites you not just to look,

Some paintings shout. Others whisper. And then there are pieces like Residue—a massive, double-paneled work that doesn’t say a word but leaves a lasting mark. Measuring 10 feet wide by 6 feet tall, this diptych consists of two towering 5x6-foot canvases that, when combined, become a physical wall of layered history. At that size, it doesn’t just hang in a room—it alters it. But what makes Residue truly unforgettable isn’t just its scale. It’s the sensation it gives off: the f

There are some paintings that demand to stay with you a little longer. For me, that painting was Elevated, Expansive, and Irritable—or simply EEI, as my wife and I have called it for years. This piece is massive: 6 feet tall by 5 feet wide. A beast in size and presence, it’s built with dense layers of poured and scraped acrylic, sealed in thick, glossy coats of epoxy resin. It’s physically heavy—and emotionally weighty, too. My signature black line work cuts through the surfa

Some paintings aren’t just seen—they hit you. Hard. Manifold is one of those paintings. This gigantic diptych, measuring 8 feet wide by 5 feet tall, is a full-force explosion of color and texture, built layer by layer in a vivid, high-gloss symphony of red, blue, and yellow. It’s a nod to the iconic Superman palette—not in theme, but in raw energy and saturation. Think power, motion, heat, and flight—all compacted into a canvas that radiates light from every angle. Underneath

48 x 60 | Acrylic and Epoxy Resin on Canvas There are paintings that sit quietly in a room… and then there are paintings that hum. Electric is the latter. At first glance, you’re pulled in by a field of rich purples layered with flashes of pink and subtle currents of blue. The surface feels alive. Not loud, not chaotic—but charged. Like something just beneath the surface is moving, shifting, breathing. There’s a depth created through acrylic and epoxy resin that gives the pie

There are some pieces that come together technically. And then there are pieces that come together emotionally. “Heal” is the second kind. (48x60) Epoxy Resin & Acrylic At first glance, it pulls you in with color. A bold, confident deep blue anchors the entire piece. It is not shy. It is not subtle. It sets the tone immediately, like a steady foundation you can stand on. But this is just the beginning. Layer by layer, the painting begins to shift. From the bottom edge, you fe

Every once in a while, a painting goes beyond what you expected it to become. It starts to feel less like something you made—and more like something that came through you. That’s Stars. This 48x60 inch piece lives in my own home, and it’s hard to describe what it does to the room without sounding overly sentimental. But Stars isn’t soft or quiet. It roars. Built from layer after layer of poured acrylic and epoxy resin, it surges with black and grey drips, splashes of red, and

At first glance, Hush appears quiet—almost blank. A 48x60 painting built entirely from shades of white and grey might seem like a study in simplicity. But step closer, and you'll quickly realize it’s anything but. Hush is a layered study in restraint, where color takes a back seat to let texture and form take center stage. What makes this painting so compelling is the way it uses only white—but builds it up in dimensional layers of resin and acrylic to create depth you can

48" x 108" (Triptych — Three 36" x 48" Panels) Some paintings are about a single idea. Jambalaya is about layers… ingredients… movement… and the beauty that happens when everything comes together into one unified experience. The name wasn’t an afterthought. It’s the lens to view the entire piece. Just like the dish, Jambalaya is a blend of bold, distinct elements that each carry their own identity, yet somehow combine into something richer, deeper, and more complete. You do

Some paintings speak in layers—and Cover Story knows exactly what it’s doing. This 48x60 inch epoxy resin painting carries a slick, ultra-modern energy with a rebellious twist. At first glance, you see something cool, clean, and contemporary: a surface of whites, creams, and neutral tones that seem poured with surgical precision. But step closer, and the secret starts to emerge. Beneath the neutral façade lies a bold palette of reds, blues, and saturated color , barely visi

There’s a tension in this piece that sits right on the edge. Redline is about that moment where energy peaks, where something pushes to its limit and holds there. The red drives that feeling. It’s bold, unapologetic, and impossible to ignore. It cuts against the softer neutrals and whites on the left, creating a sharp contrast that feels both controlled and explosive at the same time. Underneath it all is a darker foundation. Layers of black sit below the surface, giving t

There’s a moment in certain spaces — often found in thoughtfully designed environments inspired by East Asian aesthetics — where everything slows down. The noise fades. The air feels intentional. You’re not just looking… you’re experiencing. Ascend was created to capture that feeling. At 48 inches wide by 60 inches tall , this piece is meant to be immersive. It doesn’t sit quietly on a wall — it holds space . It invites you in, then gently pulls your attention upward through

The Idea Behind “Gratitude” Gratitude has become a powerful theme in modern life. It shows up in morning routines, journals, podcasts, and conversations about mindset and growth. It’s often talked about as something simple. Something you can just choose. But real gratitude is more complex than that. It’s layered. It’s earned. It’s something that reveals itself over time. This painting was created to reflect that deeper, more honest version of gratitude. A Piece Built in Layer

" Dance " - This painting doesn’t ask for attention. It moves. At 48 x 60 inches , Dance carries presence without needing permission. The surface is alive with epoxy resin , creating a smooth, glass-like depth that bends light and pulls you closer. What you see changes depending on where you stand. What you feel changes depending on when you arrive. The movement begins at the top in deep blues and shadowed tones, calm but charged, like the moment before music drops. As the e

At 48 inches wide by 60 inches tall, the scale is meant to be immersive. The work begins as deep black. Not a flat black, but a layered black built slowly over a high-gloss epoxy resin foundation. Light moves across the surface differently depending on where you stand, revealing depth that feels almost endless. The black absorbs and reflects at the same time, creating a quiet tension between stillness and motion. The resin plays a critical role. It creates a sense of suspensi

A Little Retro Magic: Meet My 48x60 “Vintage Vibes” Painting Every once in a while, a painting comes along that feels like a tiny rebellion. A joyful detour from the usual rhythm — and this 48-inch by 60-inch piece is exactly that. It’s bold, it’s warm, it’s playful, and it’s carrying a secret: it’s wearing a vintage outfit. From the moment I started laying down the first layers, this piece took on a personality of its own. It didn’t want to be a neon explosion. It didn’t wa

At six feet tall by five feet wide, this piece is one of the largest—and one of my favorite paintings I’ve ever created—because of its complexity and the discipline it demanded.

There are some placements that feel like milestones. Others feel like fate. When one of my largest paintings was installed at the Silicon...

Some collectors dabble. My brother Ryan and his wife Julie? They commit. And the result is one of the most dynamic, personal, and...

How a quick trip to Miami turned into a full-on creative recharge There’s something about Miami that never plays it safe. It’s loud in...