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HUSH: Where Silence Becomes the Story
At first glance, Hush appears quiet—almost blank. A 48x60 painting built entirely from shades of white and grey might seem like a study in simplicity. But step closer, and you'll quickly realize it’s anything but. Hush is a layered study in restraint, where color takes a back seat to let texture and form take center stage. What makes this painting so compelling is the way it uses only white—but builds it up in dimensional layers of resin and acrylic to create depth you can


"Jambalaya" - Triptych Unified Painting Experience
48" x 108" (Triptych — Three 36" x 48" Panels) Some paintings are about a single idea. Jambalaya is about layers… ingredients… movement… and the beauty that happens when everything comes together into one unified experience. The name wasn’t an afterthought. It’s the lens to view the entire piece. Just like the dish, Jambalaya is a blend of bold, distinct elements that each carry their own identity, yet somehow combine into something richer, deeper, and more complete. You do


Cover Story: A Painting That Hides & Reveals
Some paintings speak in layers—and Cover Story knows exactly what it’s doing. This 48x60 inch epoxy resin painting carries a slick, ultra-modern energy with a rebellious twist. At first glance, you see something cool, clean, and contemporary: a surface of whites, creams, and neutral tones that seem poured with surgical precision. But step closer, and the secret starts to emerge. Beneath the neutral façade lies a bold palette of reds, blues, and saturated color , barely visi


"Redline" - Tension that sits right on the edge
There’s a tension in this piece that sits right on the edge. Redline is about that moment where energy peaks, where something pushes to its limit and holds there. The red drives that feeling. It’s bold, unapologetic, and impossible to ignore. It cuts against the softer neutrals and whites on the left, creating a sharp contrast that feels both controlled and explosive at the same time. Underneath it all is a darker foundation. Layers of black sit below the surface, giving t


"Electric" - Energy doesn’t have to be loud
48 x 60 | Acrylic and Epoxy Resin on Canvas There are paintings that sit quietly in a room… and then there are paintings that hum. Electric is the latter. At first glance, you’re pulled in by a field of rich purples layered with flashes of pink and subtle currents of blue. The surface feels alive. Not loud, not chaotic—but charged. Like something just beneath the surface is moving, shifting, breathing. There’s a depth created through acrylic and epoxy resin that gives the pi


Ascend - A study in movement, balance, and quiet power
There’s a moment in certain spaces — often found in thoughtfully designed environments inspired by East Asian aesthetics — where everything slows down. The noise fades. The air feels intentional. You’re not just looking… you’re experiencing. Ascend was created to capture that feeling. At 48 inches wide by 60 inches tall , this piece is meant to be immersive. It doesn’t sit quietly on a wall — it holds space . It invites you in, then gently pulls your attention upward through


Gratitude - 60” x 48” | Epoxy Resin, Acrylic
The Idea Behind “Gratitude” Gratitude has become a powerful theme in modern life. It shows up in morning routines, journals, podcasts, and conversations about mindset and growth. It’s often talked about as something simple. Something you can just choose. But real gratitude is more complex than that. It’s layered. It’s earned. It’s something that reveals itself over time. This painting was created to reflect that deeper, more honest version of gratitude. A Piece Built in Layer


This painting doesn’t ask for attention. It moves.
" Dance " - This painting doesn’t ask for attention. It moves. At 48 x 60 inches , Dance carries presence without needing permission. The surface is alive with epoxy resin , creating a smooth, glass-like depth that bends light and pulls you closer. What you see changes depending on where you stand. What you feel changes depending on when you arrive. The movement begins at the top in deep blues and shadowed tones, calm but charged, like the moment before music drops. As the e


Emerge - A painting about what happens beneath the surface.
At 48 inches wide by 60 inches tall, the scale is meant to be immersive. The work begins as deep black. Not a flat black, but a layered black built slowly over a high-gloss epoxy resin foundation. Light moves across the surface differently depending on where you stand, revealing depth that feels almost endless. The black absorbs and reflects at the same time, creating a quiet tension between stillness and motion. The resin plays a critical role. It creates a sense of suspensi


A Little Retro Magic: Meet “Vintage Vibes”
A Little Retro Magic: Meet My 48x60 “Vintage Vibes” Painting Every once in a while, a painting comes along that feels like a tiny rebellion. A joyful detour from the usual rhythm — and this 48-inch by 60-inch piece is exactly that. It’s bold, it’s warm, it’s playful, and it’s carrying a secret: it’s wearing a vintage outfit. From the moment I started laying down the first layers, this piece took on a personality of its own. It didn’t want to be a neon explosion. It didn’t wa


Linger in the Light: A Monument to Hidden Depths
At six feet tall by five feet wide, this piece is one of the largest—and one of my favorite paintings I’ve ever created—because of its complexity and the discipline it demanded.


Disruption: A Jason Zickler Original at the Heart of Silicon Valley
There are some placements that feel like milestones. Others feel like fate. When one of my largest paintings was installed at the Silicon...


EEI – The Painting I Couldn’t Let Go Of (Until Now)
There are some paintings that demand to stay with you a little longer. For me, that painting was Elevated, Expansive, and Irritable —or...


A House Built for Art: Inside My Brother Ryan’s Collection
Some collectors dabble. My brother Ryan and his wife Julie? They commit. And the result is one of the most dynamic, personal, and...


Wynwood Walls, Neon Nights, and Graffiti Dreams
How a quick trip to Miami turned into a full-on creative recharge There’s something about Miami that never plays it safe. It’s loud in...


Sculpted in Light: A Painting That Found Its Place
What began as a bold experiment in movement and depth turned into something much more—a magnetic piece that caught the eye of an art collector and, eventually, a gallery owner.


Fair Shake: A Study in Blue, Resin, and Second Chances
Some paintings are about first impressions. Others—like Fair Shake —are about what happens when you give something a second look, a...


Stars: A Painting That Moves Like Music
Every once in a while, a painting goes beyond what you expected it to become. It starts to feel less like something you made—and more...


Studio Chaos and Controlled Color: Inside My World
Step into my studio, and you won’t find clean lines or silent corners. You’ll find movement. Mess. Momentum. The floor? Usually covered...


Magic Hour: Edge, Light, and Transition
There’s a fleeting moment each day that holds unmatched power—the time just before sunset or just after sunrise when the world seems to...
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